Philippine Tourist Destination: Batangas

WELCOME TO BATANGAS!!!

The place of "Kapeng Barako", "Batangas Blades", "Taal Volcano", "Goto", "Bulalo", "Diving Spots" and most of all "My Birth Place".

We have different beautiful diving spots at Mabini, Batangas. We have the Eagle Point, Vistamar, Aguila and other beautiful beach resort. There are beautiful beaches in Calatagan - Munting Buhangin Beach Camp, Nasugbu, Bauan - Dive and Trek, San Juan - Laiya and a lot more.

More about Batangas:

Batangas is a province of the Philippines located on the southwestern part of Luzon in the CALABARZON region. Its capital is Batangas City and it is bordered by the provinces of Cavite and Laguna to the north and Quezon to the east. Across the Verde Island Passages to the south is the island of Mindoro and to the west lies the South China Sea.

Batangas is one of the most popular tourist destinations near Metro Manila. The province has many beaches and famous for excellent diving spots only a few hours away from Manila. Some of the more notable ones are Anilao in the Municipality of Mabini, Matabungkay and Punta Fuego in the Municipality of Nasugbu, the Municipality of Calatagan and Laiya in the Municipality of San Juan.

Found in the province is world-known Anilao (Mabini) and its many dive sites that are ideal for observing marine life, and outstanding for macro photography. Located only 110 kilometers south of Metropolitan Manila, it is very accessible by land or by sea.

Batangas is also where Taal Volcano, one of the Decade Volcanoes is located. The volcano has a water-filled crater and sits on an island in the center of Taal Lake, which geologists believe is an ancient caldera.

The town of Taal is famous for its hand embroideries, knives, and sausages; and it reigns as one of the two most culturally preserved sites of the Spanish colonial era in the Philippines.

Batangas is also generally accepted by linguists as the 'Heart of the Tagalog Language'. Poetically, Batangas is often referred to by its ancient name Kumintang.

NAME:

The first recorded name of the Province was Kumintang. Later, the Spaniards went to settle the present day Balayan, then the most progressive town of the Province. The name of the Province was changed into Bonbon.

Some time later, the capital of the province was transferred to Taal, since being near the lake, it is an easy commercial centre. After the transfer, the leaders of the province decided to change the name of the province after its capital.

Still later, the Spaniards chose to transfer the capital for the third time, now in its present capital the Town of Batangan. later Batangas City, and the Province changed its name once more after the Capital. in 1889, Batangas City became the country's 8th city.

The term batangan means a raft, the people used so that they could fish in the nearby Taal Lake.

The name "Batangas" was derived from the word "batang," which is a term of the natives for the numerous logs found in the Calumpang River, the body of water that runs through the northeastern portion of the town and assumes the shape of a tuning fork.

the term Batangueño or Batangueña generally is an adjective that describes something or someone from Batangas. However, in the recent revival of provincial identitity among the natives of Batangas, these terms is more commonly being used nowadays to mean at native of the province. On the other hand, the old term Batangan is being revived to describe something that is of Batangas flavour.

LANGUAGE

Batangas is the 'Heart of the Tagalog Language' as the dialect of Tagalog spoken here closely resembles the Tagalog spoken before the arrival of the Spanish. Therefore, a strong presence of the Tagalog Culture is clearly visible until now.

Linguistically Batangueños are also known for their unique affectation of often placing the particles eh or ga (equivalent of particle ba Filipino), usually as a marker of stress on the sentence, at the end of their spoken sentences or speech; for example: "Ay, oo, eh!" ("Aye, yes, indeed!"). Some even prolong the particle 'eh' into 'ala eh', though it really has no meaning in itself.

In the recent years, waves of migration from the Visayas had brought significant number of Visayans to the province. There are also a few who can speak Spanish, since Batangas was an important centre during the colonial period.

The province of Batangas also has one of the highest literacy rates in the country at 96.5%, wherein the males have a little higher literacy rate at 97.1% than females with 95.9%.

PEOPLE:

Maria Kalaw Katigbak, a Filipino historian, was quoted to call the Batangueños the Super-Tagalogs. This is because these group of people belonging to the Tagalog stock is the paramount example of what one can expect from this ethnolinguistic group. And indeed, when you ask someone to overact a Tagalog, they would imitate the Batangueños.

One particular custom in the Batangan culture is the so called Matanda sa Dugo (lit. older by blood) practice wherein one gives respect not because of age but of consanguinity. During the early times, the custom of having very large families are very common. Thus, it may be expected that the someone's uncle could be of the same age, or even younger than himself. In this case, the older one would call the younger one in an honorary title (such as tiyo or simply kuya if they can no longer establish the relationship), not the other way around. This often draws confusion to those from other provinces who are not accustomed to such practices.

Batangueños are very regionalistic. When one learns that a person in the room is also from Batangas, expect them to be together until the end of the event. It is also expected that those in office would favour their fellow Batangueños as long as the rules could allow it. Thus the running joke, the Batangas Mafia came to existence.

They also tend to live in a large extended family. It is but common that a piece of land remains undivided until the family connection becomes to far-off related. Marriages between relatives of the fifth generation is still restrained in the Batangan culture even if Philippine laws allow it.

Most Batangueños are either farmers or fishers who sell their own products in the market. Although most of them has also finished a degree, a lot of the people not to use what they have studied and put up their own small businesses instead. This is perhaps due to the subconscious idea that he who has no land to cultivate or trade to make is a lazy person.

Since Batangas has long been declared a tourism area by late President Ferdinand Marcos, people from other places could find a very hospitable culture in the Batangueños. They will feed you more than the usual with the food they eat. Actually, these folks would appreciate it greatly if they see that you are trying to be one of them.

Batangueños are heavy drinkers. Men, and sometimes women, could spend long hours of drinking sessions as if there would be no more work the next day. This is specially true if you are to visit the far-flung barangays.

Aside from drinking too much liquor, Batangueños like sweet food. Perhaps this is because there has never been a shortage of sugar in the province due to the presence of the Central Azucarera Don Pedro, the current largest producer of sugar in the whole archipelago.

And if they like their liquors strong and their foods sweet, Batangueños also like their coffee strong. During the early 1900s, Batangas was the largest producer of coffee in the whole of Asia. In the barrios, the people would drink brewed coffee, which the locals call kapeng barako, translated as the stud's coffee. At present, steps are being made, especially in the city of Lipa to regain the title of having the largest coffee production in Asia.

LANGUAGE:

Perhaps, there is no better way to describe a Batangueño than the language he or she speaks. Batangueños, being mainly descendants of the ancient Tagalogs, speak a dialect of the language with a very strong accent. Indeed, one can easily recognize a Batangueño the moment he opens his mouth.

Though generally intelligible to speakers of other dialects, such as the Manila and Tayabas dialects, the vocabulary of the Batangan Dialect is more closely related to the ancient Tagalog. Rarely do Batangueños use Taglish, as the custom in Manila. In fact, when you ask someone from the Komisyon sa Wikang Filipino to describe the Tagalog spoken in Batangas, it will easily be labelled 'makaluma' (old style.)

Although much can be said about the way a Batangueño speaks his or her Tagalog, the high literacy of the locals means English is also widely spoken in the province. Spanish is also understood up to some extent. In fact, some towns like Nasugbu, Taal and Lemery still have a significant minority of Spanish speakers. Visayan is also spoken by a significant minority due to the infulx of migration from the Southern Philippines.

MYTHODOLOGY & LITERATURE

According to scholars, the mythology of Batangas is closely related to the mythology of the Oaxacan Tribe of Mexico. A clear proof is the presence of story 'Why the Firefly is Noisy?' and 'The Race of the Carabao and Tortoise', both having their counterparts in Mexico.

Scholars also identified that the ancient Batangueños, like the rest of the Tagalog Tribe, worship the Supreme Creator, known as Bathala. Lesser gods like Mayari, the goddess of the Moon and her brother Apolake, god of the sun, were also present. And although people would not easily connect it with mythology, the Northeast Monsoon is still called Amihan, while the Southwest Monsoon is called Habagat.

For literature, Padre Vicente Garcia came to be known when he wrote an essay to defend José Rizal's Noli Me Tangere.

In 2004, the Province of Batangas gave its Son Domingo Landicho (familiarly called Inggo be Batangueños) the 'Dangal ng Batangas Award' (Pride of Batangas) for being the 'Peoples' Poet'. He, together with Ambassador Lauro Baja, former Executive secretary Renato de Villa, Current Executive Secretary Eduardo Ermita, Supreme Court Justice Renato Corona, and Transport Secretary Leandro Mendoza received the award in a ceremony which highlighted the celebration of the 423rd year of the founding of the Province.

MUSIC

When a foreigner visits the Philippines, he or she always remark on how musical the Filipinos are. The Batangueños are no exception. Batangueños have always been visible in the Philippine music scene, whether it is in the field of traditional music, popular music or even popular music.

Musicologists identified Batangas as the origin of the kumintang, and ancient war song, which later evolved to become the signature of Filipino love songs the kundiman. From the ancient kumintang, another vocal music emerged, identified as the awit. The huluna, a psalm-like lullaby, is also famous in some towns, especially Bauan. And during the Lenten Season, the Christian passion-narrative, called Pasyon by the natives, is but expected in every corners of the province.

Debates may also be done while singing. While those from the Province of Bulacan are known for their Balagatasan (a form of debate done in poetry), Batangueños are famous for the duplo (a sung debate where each lines of the verse must be octosyllabic) and the karagatan (a sung dabate where each lines of the verse must be dodecasyllabic.) The latter, whose literal meaning is the ocean, got its name from the opening lines. Always, the karagatan is opened by saying some verses that alludes the depth of the sea and comparing it to the difficulty of joining the debate. And as mentioned above, the debate must be sung.

Batangas is also the origin of the Balitao (although Cebuanos may argue.) Aside from being a form of vocal music, the Balitao is also a form of dance music. The Balitao, together with the Subli is the most famous form of dance native to Batangas.

In the field of serious music, no one can underestimate the contribution of Batangas. Batangas is the birthplace of the famous Filipino soprano Conching Rosal, dubbed as the First Lady of the Philippine Operatic Stage. Lorenzo Ilustre, a local composer, also became famous for his wide array of religious and liturgical music.

On the other hand, the Maestro of Philippine Music, Ryan Cayabyab is no less than a Batangueño, whose mother Celerina Pujante was in her own right a well sought operatic soprano in the 1950s, about the same time as Rosal. Ogie Alcasid, known to fans as Mr. Composer, also hails from this province.

Special thanks to http://en.wikipedia.org/
Congratulations to: Governor Vilma Santos Recto, Congressman Dodo Mandanas and Vice-Governor Mark Leviste...